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・ Edmund Fremantle
・ Edmund Fry
・ Edmund Fuller
・ Edmund Fürst
・ Edmund G. McGilton
・ Edmund G. Ross
・ Edmund G. Sutherland
・ Edmund Garratt Gardner
・ Edmund Garrett
・ Edmund Garvey
・ Edmund Gayton
・ Edmund Geilenberg
・ Edmund Gennings
・ Edmund George Irving
・ Edmund George Lind
Edmund George Warren
・ Edmund Gerber
・ Edmund Germer
・ Edmund Gettier
・ Edmund Getty
・ Edmund Ghareeb
・ Edmund Gheast
・ Edmund Giambastiani
・ Edmund Gibbons
・ Edmund Giblin
・ Edmund Gibson
・ Edmund Gibson (priest)
・ Edmund Giemsa
・ Edmund Gilbert Baker
・ Edmund Gilchrist


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Edmund George Warren : ウィキペディア英語版
Edmund George Warren

Edmund George Warren〔Scott Wilcox, Christopher Newall. ''(Victorian landscape watercolours )'', p42 (Hudson Hills Press, 1992).〕 (1834–1909) was an English Landscape painter who worked in both watercolours and oils.
Warren lived first in London, then later in Chudleigh Devon, South-West England. He was acknowledged as the first landscape artist to be influenced by the pre-Raphaelites ideas of colour, meticulous observation of the subject, and attention to detail. He was also influenced by the English artist Richard Redgrave. Working in both oils and watercolours, his work became very popular during the late 1850s to early 1860s, though critical reception was mixed with, for example, art critic John Ruskin denying that Warren was a true pre-Raphaelite because his landscapes owed more to "cleverly deceptive technique" than observation.〔Also see: John Ruskin. ''(Works of John Ruskin, Vol. 14 ), p192.〕
Warren became a member of the New Society of Painters in Watercolours (RI), an organisation set up to challenge the members-only exhibition rules of the old "Society of Painters in Water Colours"; He went on to exhibit nearly 200 paintings with the society including his large-scale work, "''Rest in the Cool and Shady Wood''", which became the star attraction at the 1861 exhibition.〔(Exhibition landscapes ) (Victoria and Albert museum, London).〕 He also belonged to the Royal Institute of Oil Painters (ROI).
Warren's paintings were characterised by evocative and Idyllic depictions of the English countryside, woodlands and harvesting scenes.
==Notes==


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